not let this cover so freaky you will lead to deception, after she hides a collection of exceptional songs. In its day I made the mistake of putting the publication in these parts of his latest album, 'Medea', a job that I dislike but that is far from what shown here, in favor of a radical compositional change brings you closer to Fixing the ambient electronica New Wave style here had not yet been possible to investigate. In the debut of this great artist Oslo (Norway), 'To sing you apple trees', he was delving into the virtues of folk and pop melodies, exquisite, with a vast difference in outcome compared with their latest work. The echoes of Björk, Goldfrapp, The Knife or Bat For Lashes that could be glimpsed in 'Medea', replaced his attraction to Julee Cruise, Cocteau Twins and his compatriot Hanne Hukkelberg, so present in the evocative atmosphere of this first step. So I think that would have been more successful post it before that, since it is more accessible and enjoyable at the same time simple. Far from the overload and the monumental epic that defines his sound today, it's really interesting but perhaps small to complicate too much on the developments here are so cute pieces like "You were in this way", a brief instrumental introduction that serves as a perfect link to the charming "Barrie for Billy MacKenzie", a wonderful song alone justifies the Acquisitions drive, possessing all necessary ingredients that will appeal to any audience, with a glorious chorus, a catchy beat, some stylistic changes of direction acertadísimos and a lovely vocal harmony that touches the best of them, without a doubt my favorite and the best of the lot, the docile and peaceable "Emmas Too many, in which his voice takes a delicate melancholy tone to the sound of an acoustic sound very close to folk, the great "Cigars", which recreates the vocal play and flirts with penetrating lyric pop coordinates, on a tour that highlighted by a sublime strike compositional effect was half that power to make progress are of a prodigious percussion effects, the moving "An army of flying Dutchman" also approaching the Norwegian Ane Brun and the great Joanna Newsom, the most direct "God is underwater," evoking the power of his vocal chords, stroking receptor sensitive skin fragile, ethnic certainly "A cute lovesong, please", his unique tribute to the Nordic folk music adding numerous digital elements, palms spiritual or ghostly backing vocals (as look), "They Are Bastards! (We Are Better)" disagreed backlash covertly, opting for the double meaning in letter and aiming for a sweet musical contrast, the in way dance "On cherry tree song" innate record trapped in a web of feelings bare, and the magical "To Where It Was sucked out from" that after a start to idle it would fit in the list of songs that were part of 'Medulla' Björk, attach a nondescript stretch and enters the depths of dream-pop in a fascinating saga, without abandoning the dark halo that surrounds so attractive. Jenny Hval is the woman who hides under the nickname Rockettothesky, which is accompanied by a group of friends from the jazz musicians (there is always the question of whether the project is considered by it as a band in a simple yes or solo work, the As happens with Natasha Khan, Bat For Lashes) that are, Even Ormestad (leading to the interesting turn of Jagga Jazzist, known for his collaborations with Motorpsycho), Inga Grytås Byrkjeland (habitual cellist Christer Knutsen), Torstein Lofthus (drums Elephant 9 and alternative Draumir), Jan Martin Smørdal (voice of the short-lived alt-country band Jae (2) and charge of the arrangements on albums by Hanne Hukkelberg) and Audun Borrmann Ofstad (Pow Pow member).
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