Tuesday, April 12, 2011

ريسيفر Wow

Tired PONY LOVERS

WE RAN THE PLACE FROM (2010)

Criterion of each is what must prevail and I decided to buy this album despite fierce criticism read a few days before a certain music magazine. Funny how that could influence the taste of a journalist when vilify or praise a disk when you first heard it. I always thought that we live in a country where ethics is absent in the media and who is responsible uncover the virtues or defects of the artistic work of any kind is often without the compassion viciously abused if their opinion is necessary to somehow impose it. I could talk about this at length, but what is that I want to focus on the debut of this supergroup made up of several famous artists carving a horse Dundee (Scotland) and Portland (Oregon), the pen in question was shipped to like putting half back and the project was called the "failed and imminent free fall." The main driver of this fad generated a solvent project is the lead singer of Snow Patrol, Gary Lightbody, big fan of these joys to be the body of famous musicians join which are among his friends as he showed with the ephemeral The Reindeer Section, and if there was people from Alfie, Arab Strap, Belle & Sebastian, Mogwai, Idlewild, Astrid, Eva, Cadet, Teenage Fanclub, The Vaselines, Mull Historical Society and The Moth & the Mirror (plus one of his companions in Snow Patrol), ie, the cream of Scottish indie scene, this time and under the name of Tired Pony has managed to involve members of REM, Young Fresh Fellows, Minus 5, Compulsion or colleagues known as Snow Patrol and Belle & Sebastian who participated in that another adventure, to give a more American approach in this proposal in addition to a deluxe cameo desgrose cite when they composed the song 'The place we ran from. " A particualr me I love this work written that I commented at the beginning simply quoted as "an exercise for the showcasing of Lightbody who directs his attention to folk rock to the detriment of American pop-rock alternative to which we are accustomed to their mother band. " You can say that as the author of that letter, the result is half way, do not know, but the fact is I prefer to stay with the only statement of support that could be extracted from what he said, when wise (always keeping to what I felt when listening to the album, then like what you hear and think that this man had more reason than a saint and that is misleading to highlight these songs me) to say that "despite everything is a commendable exercise of autumn with no pop single that out but full of craft of the members of the band. " I'll stick with that ... in part because there is a very good job and a remarkable willingness on the part of Pony Tired to have a good time to the listener, but also believe that there are at least four or five pieces very remarkable. I only mention them together with others that do not clash, and they are the initial "Northwestern skies", where emotion overflows in abundance to the sound of a chorus supported light string instruments resinous smell that just make to transform the fragile voice of the singer in pure magic, the tender depth of "Get on the road", a huge crescendo that could conquer the world fueled by the remarkable appearance of She & Him, because while we hear the guitar notes the great Matt Ward, we escape into the pleasant feeling that makes this magnificent duo of Zooey Deschanel Lighbody and which again made an appearance in the round "Point me to lost islands", with a touch that leads springsteeniano a kind of lush alt-country, the winner "Dead American writers," my favorite disc by its great development, ten full-blown by its focus to suit all tastes, squeezing the right formula for that purpose in a perfect link between rapid development, exact duration (just over two and a half minutes, enough for us to be wanting more and not make us too) and catchy chorus melody rewarding the pastoral elegance of "I am a landslide," a tour of the Yankee tradition that Celtic added a thin cover, sung by Ian Archer, coristafijo the septet, the beautiful "The god book," starring Tom Smith's voice Editors, in a record that is very reminiscent of David Bowie, and the brilliant "Pieces", which expands between symphonic rock and shoegaze to dismiss the slaughter by big puerat. Tired Pony it up Gary Lightbody, Richard Colburn, Ian Archer, Jacknife Lee, Peter Buck, Scott McCaughey and Troy Stewart.

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