We return to the path of the relaxation of the hands of a folk high carat proposal would make it more bearable the first day of the week. A few weeks ago returned to see the interesting movie 'Donnie Darko', Richard Kelly's debut irregular in direction and undisputed first starring role (in the brilliant 'October Sky' share this honor with Laura Dern), Jake Gyllenhaal, and claims appeared the most popular topic of this artist from Fresno (California), "Mad World", a reinterpretation of the classic air and slowed Tears Fears For what I can say without blushing that is one of the best versions of all time. I remembered how much I liked the soundtrack of the film, in its entirety, with subjects' own Tears For Fears, Simple Minds, Echo & The Bunnymen, The Church, Duran Duran and INXS (who by the way, like Jules , contributed a version, in this case of "Love Will Tear Us Apart" by Joy Division song was also included in its original format), and that once I got this second studio album from American singer attracted to know how would sound the proposal in general. I had totally forgotten this "Trading snakeoil for wolftickets', which inexplicably did not remember almost nothing, not even the good video was directed by a famous song by the French director Michel Gondry, the truth is it was a pleasure to relive the experience of listening. A sweet, warm voice, a way of playing that baby blues and folk coordinates recovering the spirit of the past with Harry Nilsson, Don McLean and the first REM (the tone of voice used was very similar to Michael Stipe) on the horizon, are reason enough to be considered a reference to this multi-instrumentalist capable of overcoming the cumbersome slab assessed by a single career success. I know it's innumerable amount of times he sounded that cut on video games, advertising, films, series, trailers, documentaries ... but if you take any of their four albums, they discover a superb musician who evokes great feelings through songs that are pure humility. My reasons for tooth and nail to defend their records are based on a single button press, you stand a sounding songs like "Broken Window", a beautiful start playing with brushes and a polyphonic melody tissue to cover the heirs of Simon & Garfunkel, "No poetry, rubbing the strings with subtlety and skill, to create a hypnotic adorned with slide notes," Dtla "which reminds me the brightness of the British Gomez with that package rhythmic chorus choral portentous, "Lucky" brief but effective retrospective mñusica root, with banjo and ukulele to give a more realistic approach to the matter, "Pills", charming and delicate as velvet skin, easy to learn and chant, ideal to smile while your mind travels back time to think about the age of innocence, "Umbilical Town", tenderness and sensitivity to the surface, with a really nice guitar melody, "The princess of Hollywood way" sensational track leave Celtic one day encouraged desolate with only three seconds to enjoy their journey, and of course, the aforementioned "Mad World", a masterful composition I can only describe as a pleasant dream of hearing. Gary Jules Aguirre Jr., was joined by Michael Andrews, Robert Walter, Sarah Brysk, Al Sgro, Matt Lynott and George Sluppick.
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