'm black! sometimes I feel like throwing your computer out the window (making sure first that no one is going under, which is not a matter of take someone innocent in front) because I really strange things happen when you edit what I write in the damn blogger as I am a stickler for these things hurt me in mind if not solved. Well today I have more time with this problem and I have fried with highly charged back and with patience exhausted, I just want to stop posting entries, and I assure you is that annoys me the issue, but more for being so eat melon head with this, that the problem itself. Do not know why these things happen, I really do not see it so hard that if you do not play keep going as usual, then no! not the case and worst of all is that I like good hand stubborn, I'm trying things erre que erre perhaps in vain because in the end I have to put this to the brave. Anyway, sorry I needed to express it somehow and I have it with egg. Left as is then I'm going to leave it on the main page, the important thing is the disk in question and to this day I have chosen this obstuso own right, cult band of Ruston (La.), who was part of the glorious Elephant 6 collective in Athens (Georgia). If a little less than two years got here their most successful album 'In the Aeroplane Over the Sea', is now a good time to regain his debut album "On Avery Island 'in a moment that I'm enthusiastically to the news gave me Viktor my good colleague of his comeback, I remember that with a recital at the famed Coachella Festival (California). Many have been his years of absence after deciding where to park the project was achieving greater recognition and that is why I allow myself the luxury of fantasizing about a return they will triumphantly touring the world in the future, and now that my home town mentioned in any calendar date. So many have been groups that have drunk of his albums in the last decade it is impossible to understand the current indie-rock without highlighting their influence, and although they peaked with their second album, this first step is also essential to understand the magic of a group that innovated with distortion and sunny melodies in a sort of fuzz sound embraced psychedelia. The recording made in a cuatropistas brought the right hook to attract hardcore fans, eager to melodies all wrapped docile pleasant noise. Here the folk-pop that led to the extreme in his next work, was trapped by two layers of attractive magnitude crepitatoria a mantle of distortion and exaggerated phrasing of his vocals and soul-mater, Jeff Mangum, also including some exotic touch Trombones and an air of fanfare that made the songs pull up to the sky. Bands like Beirut, Calexico, The Decemberists, Of Montreal, The Shins, The Mountain Goats, Okkervil River, Animal Collective and sometimes even his old friends from REM (to name just a few examples), have evolved under the influence of his inspiration and that data can be corroborated with an intense listening to the songs on this album, starting with "Song Against Sex" peculiar from their point of departure, that is, from its title, with the anarchic mix of any instrument in a style becoming comfortable, "Yo've Passed", slow, dark and dense in honor of the lo-fi noventero, "Someone is waiting ", recovering the essence that identifies the group, that elusive sound with sweeping guitars abuse imposes on the rest of nuances in a hypnotic noises carousel," A baby for pree ", a delicious cut and without percussion sound added , and a vocal tone that resembles a lot to Colin Meloy, both might pass for a cut of those who have left their own handwriting to his solo albums (though equally fit how the discourse of The Decemberists), "Where you'll find me now", an example of the distortion that characterizes them and here seems to break the amplifiers while not sounding at all uncomfortable in the company of such exquisite harmony, "Garden head / leave me alone," more serious and angry in their development recalling the seventies piscodelia Grateful Dead, "Three Peaches", the best of the lot probably, in part because its quiet atmosphere and its parallel floating vocal sensitive, and " Naomi ", my favorite by his beloved noventera trend, which reminds me once again the musical glories of that period. Neutral Milk Hotel was formed in those early genius Jeff Mangum, Robert Schneider, and then lead singer of The Apples In Stereo, Marbles, Olivier Lindberg, Lisa Janssen, part-time bassist Secret Square, and Rick Benjamin, who was also part of The Perry Weissman 3, also having the support of Merisa Bissinger, Hilarie Sidney (drums also of The Apples In Stereo), Zachary DeMichele, Dane Terry and Aaron Reed.
ON AVERY ISLAND (1996) 
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